February 12, 2015
Press Release - Post-Op: 'The Responsive Eye' Fifty Years After
News

Post-Op: 'The Responsive Eye' Fifty Years After

February 25 - April 12, 2015

Opening reception with the curators: Friday, February 27, 5:00 - 7:00 PM

Gallery talk: Saturday, February 28, 2:00 - 3:00 PM with Peter Frank, David Eichholtz, and artist Tom Martinelli


David Richard Gallery, LLC
Railyard Arts District
544 South Guadalupe Street
Santa Fe, NM 87501
p 505-983-9555
www.DavidRichardGallery.com



David Richard Gallery Presents "Post-Op: 'The Responsive Eye' Fifty Years After", The First In A Series Of Exhibitions Reviewing Seminal MoMA Exhibition

Post-Op: 'The Responsive Eye' Fifty Years After, the first in a series of presentations commemorating the fiftieth anniversary of the ground-breaking “Op Art” exhibition organized by William C. Seitz at the Museum of Modern Art, focuses on the aesthetic pursuits and choices during the careers of a select group of American artists who were included in The Responsive Eye. Post-Op and its successor exhibits examines the “roster” of artists from that seminal exhibition and compares and contrasts those artists’ endeavors both during and after the Op Art "craze” of the mid-1960s. The later-career work featured in the current Post-Op exhibition spans the 1970s through 2015.

Post-Op: 'The Responsive Eye' Fifty Years After inaugurates a series of shows planned by the David Richard Gallery critically analyzing and reconsidering The Responsive Eye, which debuted at MoMA in February of 1965 and traveled to several American venues over the course of a year. David Richard Gallery’s Post-Op sequence is organized by art historian, curator and critic Peter Frank and gallerist, historian and curator David Eichholtz.

Featuring more than 34 objects by 17 artists, Post-Op: 'The Responsive Eye' Fifty Years After focuses primarily on the artists and their interests in visual perception and less on the cultural phenomenon of Op Art per se. The exhibition will feature artwork by the following artists, all participants in The Responsive Eye: Richard Anuszkiewicz, Hannes Beckmann, Karl Benjamin, Ernst Benkert, Francis Celentano, Thomas Downing, Lorser Feitelson, John Goodyear, Francis Hewitt, Leroy Lamis, Mon Levinson, Alexander Liberman, Ed Mieczkowski, Oli Sihvonen, Julian Stanczak, Peter Stroud and Tadasky.

Most of the artists featured in this exhibition explored issues of visual perception throughout their careers, using combinations of line, color interactions, and kinetics with diverse approaches and a variety of media to engage and challenge viewers mentally and visually. Certain artists left the geometric formal vocabulary generally favored by Op artists, pursuing gestural abstraction and material-based explorations. But they still maintained color sensibilities rooted in the Bauhaus teachings of Albers and Itten.

Subsequent exhibitions in 2015 will shift to include artwork by artists who capture the “spirit” of The Responsive Eye. The second exhibition will include American artists who were also creating “perceptual art” at the time as that historic presentation but were not included in that exhibition. The early-career artwork of these artists, challenging viewers’ perception, will be presented alongside the early work of artists who were included in the 1965 MoMA show. The third exhibition will feature artwork by contemporary artists who continue to push art into the perceptual realm with new materials and technologies that create visual sensations, immersive experiences, and viewer-active engagement. That exhibition will also feature later-career and contemporary work by artists from The Responsive Eye. The final installment of this series will turn to the international artists from Europe and Latin America who constituted a major component of that exhibition, bringing Constructivist tradition, a “concrete” aesthetic, and an experimental and often collaborative ethos to the discourse of perceptual art.

Post-Op: 'The Responsive Eye' Fifty Years After opens February 25, 2015 and remains on view until April 12. An opening reception with the curators will be held on Friday, February 27, 5:00 - 7:00 PM. There will be a gallery talk with Peter Frank, David Eichholtz, and artist Tom Martinelli on Saturday, February 28, 2:00 - 3:00 PM. An exhibition catalogue with an essay by Peter Frank will be available.

The gallery is located at 544 South Guadalupe Street, Santa Fe, New Mexico 87501, phone 505-983-9555 in the Santa Fe Railyard Arts District.

David Richard Gallery, a contemporary art gallery in Santa Fe, specializes in post-war abstract art including Abstract Expressionism, Color Field, geometric and hard-edge painting, Op Art, Pop Art, Minimalism, Feminism and Conceptualism in a variety of media. Featuring both historic and contemporary artwork, the gallery represents many established artists who were part of important art historical movements and tendencies that occurred during the 1950s through the 1980s on both the east and west coasts. The gallery also represents artist estates, emerging artists and offers secondary market works.

Associated Artist

Associated Exhibitions

Associated News

  • February 12, 2015

  • April 1, 2015

  • March 20, 2015

  • March 4, 2015

  • February 25, 2015

News Archive


March 27, 2019
March 16, 2019
January 17, 2017
Globalocation: Celebrating 20 Years of Artnauts
J. Willard Marriott Library
The University of Utah, 01/17/2017

The University of Utah’s J. Willard Marriott Library will host the art exhibition Globalocation: Celebrating 20 Years of Artnauts, Jan. 20-March 3.

Artnauts, an art collective formed 20 years ago by George Rivera, professor of art and art history at the University of Colorado, Boulder, consists of 300 global artists who serve as goodwill ambassadors, acknowledging and supporting victims of oppression worldwide. Their creativity has generated over 230 exhibitions across five continents. Five faculty members from the U’s Department of Art and Art History are members of the collective, Sandy Brunvand, Beth Krensky, V. Kim Martinez, Brian Snapp and Xi Zhang.

Globalocation derives from “Globalocational Art” — a concept used by the Artnauts to refer to their exhibitions in international venues. It is the mission of the Artnauts to take art to places of contention, and this anniversary exhibition is a sample of places where they have been and themes they have addressed.

“The Artnauts could not exist without the commitment of the artists in the collective to a common vision of the transformative power of art,” said Rivera. “The Artnauts make their contribution with art that hopefully generates a dialogue with an international community on subjects that are sometimes difficult to raise.”

Krensky, associate department chair of the Art and Art History Department, had the opportunity to travel with Rivera in Chile as part of an Artnauts project, working with mothers who were searching for their children who had mysteriously disappeared during a time of political unrest.

“When I travelled to Chile in 1998, George and I spent an afternoon with the Mothers of the Disappeared, and the meeting changed my life,” said Krensky. “It was from that moment on that I placed a picture of them on my desk to look at every day. I was so moved by what they each had lost — a son, a brother, a father — and yet what remained for them was a deep, deep well of love. They were fierce warriors and stood up to the government to demand the whereabouts and information of the people who had disappeared, but they lived within profound love.”

The 20th anniversary exhibition at the Marriott Library is a retrospective of the traveling works the Artnauts have toured around the globe. The exhibition will be located on level three of the library. The opening reception is open to the public and will be held on Friday, Jan 20, 4-6 p.m. Rivera will speak at 4 p.m.

February 15, 2014
January 31, 2014
September 12, 2013
December 18, 2012
September 26, 2012
May 31, 2012
September 21, 2011