October 16, 2013
Toadhouse aka Allan Graham aka Skip
New Mexico Mercury, 10/16/2013
V.B. Price


Toadhouse aka Allan Graham aka Skip
New Mexico Mercury, 10/16/2013
V.B. Price

f the universe didn’t have humor in it, if the comic and the unexpected weren’t the children of consciousness, if the language of puns and jokes and the clarity of happiness weren’t properties of atoms too, then one might actually have a reason to give up on space/time and the human species and settle into a stupor until the escape of death opened the way for some peace and quiet.

But a poet named Toadhouse, and a painter named Allan Graham, and my old friend of almost five decades Skip Graham – all of whom share the same DNA, and are identical, save for their avatars – turned 70 last week on the stage set of the David Richard Gallery in the Railyard Arts District of Santa Fe and that made me happy, and the work in that clean, handsome space took me serenely into itself which proved to be exactly where, at the moment, I wanted to be.

While description always refers only to itself, I’d have to describe Skip’s work as having, for me, a long history of opening doors and climbing steps into consciousness without self-importance. It’s hard for me to have much more to say than that because by breaking down the borders between lexical space and visual space – I’m beginning to sound like an art critic, and I’m surely not – crossing the boundaries of word things and image things, a freedom is let loose, at times even a giddiness. And of all the truths we experience, the truth of the unpremeditated smile is the most convincing and believable.

As Toadhouse has written:


And more to the point:

should only

So one might actually see for themselves in a painting the title of which is:

“is forming in a was universe.”

Toadhouse paints this poem:

"(Your Head Shapes Your View)"

Next to it is a red painting which reads “now! the future at a reduced distance.” It is arranged on the canvas in a way that causes the mind to jumble around in its own synaptic distances.

And another Toadhouse poem reads “Any Position Limits the View (We Are Only Here For A Spell). “
My two favorite works in the Birthday Exhibition are, first, a large painting in which Toadhouse, with black and white surfaces laid down as if they had been polished by a glacier, writes: MANKIND?

And then in an upstairs space one finds a graphite colored painting/drawing which in entitled “Chance Forming on the Edge of Need” in which a comet of chance is rushing at a continent of need.

Also in the David Richard Gallery is Gloria and Allan Graham’s collaboration called Add Verse, in which 25 poets – including Bob Creeley, Jimmy Santiago Baca, Diane di Prima, Michael McClure, Anselm Hollo, Arthur Sze, and Anne Waldman-- are photographed by Gloria Graham with spontaneity and candor, and the poets’ hands are videoed in intimate motion by Allan Graham as they read their poems. It’s one of those totally unexpected, off the wall, on the wall, out of the blue ideas that focuses a listener/viewer on the poet’s work in a way more intense than any of them might have hoped for.

I feel way too close to much of this work to have anything more to say than Happy Birthday Skip, and thank you for finding the key to the little door that, once opened, once in a while, gives us all a sighting of unself-conscious joy.

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January 17, 2017
Globalocation: Celebrating 20 Years of Artnauts
J. Willard Marriott Library
The University of Utah, 01/17/2017

The University of Utah’s J. Willard Marriott Library will host the art exhibition Globalocation: Celebrating 20 Years of Artnauts, Jan. 20-March 3.

Artnauts, an art collective formed 20 years ago by George Rivera, professor of art and art history at the University of Colorado, Boulder, consists of 300 global artists who serve as goodwill ambassadors, acknowledging and supporting victims of oppression worldwide. Their creativity has generated over 230 exhibitions across five continents. Five faculty members from the U’s Department of Art and Art History are members of the collective, Sandy Brunvand, Beth Krensky, V. Kim Martinez, Brian Snapp and Xi Zhang.

Globalocation derives from “Globalocational Art” — a concept used by the Artnauts to refer to their exhibitions in international venues. It is the mission of the Artnauts to take art to places of contention, and this anniversary exhibition is a sample of places where they have been and themes they have addressed.

“The Artnauts could not exist without the commitment of the artists in the collective to a common vision of the transformative power of art,” said Rivera. “The Artnauts make their contribution with art that hopefully generates a dialogue with an international community on subjects that are sometimes difficult to raise.”

Krensky, associate department chair of the Art and Art History Department, had the opportunity to travel with Rivera in Chile as part of an Artnauts project, working with mothers who were searching for their children who had mysteriously disappeared during a time of political unrest.

“When I travelled to Chile in 1998, George and I spent an afternoon with the Mothers of the Disappeared, and the meeting changed my life,” said Krensky. “It was from that moment on that I placed a picture of them on my desk to look at every day. I was so moved by what they each had lost — a son, a brother, a father — and yet what remained for them was a deep, deep well of love. They were fierce warriors and stood up to the government to demand the whereabouts and information of the people who had disappeared, but they lived within profound love.”

The 20th anniversary exhibition at the Marriott Library is a retrospective of the traveling works the Artnauts have toured around the globe. The exhibition will be located on level three of the library. The opening reception is open to the public and will be held on Friday, Jan 20, 4-6 p.m. Rivera will speak at 4 p.m.

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