February 14, 2019
Press Release - Mark Dagley Neo Op
News

MARK DAGLEY
Neo-Op 


March 3 through 31, 2019

OPENING RECEPTION: Sunday, March 3 from 3:00 to 7:00 PM 


David Richard Gallery, LLC 
211 East 121 ST | New York, NY 10035
P: (212) 882-1705
www.davidrichardgallery.com


David Richard Gallery is pleased to present Neo-Op, an exhibition by Mark Dagley featuring a comprehensive body of work begun in 1994, with several new canvases finished as recently as February of 2019. This work emerged out of Dagley’s systematic approach to structure using a specific set of material constraints and limitations on color. The results include multiple series in two and three dimensions: paintings, sculpture and works on paper using simple motifs of geometric progression, linear interplay, concentric organic forms and chain-linked lozenges.

The presentation will be on view from March 3 through 31, 2019 with an opening reception Sunday, March 3 from 3:00 to 7:00 PM on both the Ground Floor and Second Floor exhibition spaces at 211 East 121 ST, New York, NY 10035. Please contact the gallery at info@DavidRichardGallery.com or call 212-882-1705 or cell 505-467-9742 for additional information. 

Dagley was born and raised in Washington, D.C., where he began studying painting at the Corcoran in his mid-teens. Though the region’s Color School had a great influence on his artistic development, he has always aimed to be something more than a second-generation participant. His interests in color, finish and surface have led him in many directions, but the categorization of his work has, up until now, been more “post” than “neo.” Several of Dagley’s paintings were included in the exhibition Post-Hypnotic, which traveled the country from 1999-2001, and much of his work has been referred to as Post-Structural. However, in keeping with the artist’s desire to remain in the moment, or one step ahead of it, this show has been titled Neo-Op

Mark Dagley’s creative output is not limited to fine art. He is also a musician, composer, audio engineer, videographer, essayist, publisher of art books and limited editions. He has performed and recorded, mostly as a guitarist, since the late 1970s. Among his past band mates are fellow artists George Condo and Steven Parrino. Dagley and his wife, author and actress Lauri Bortz, co-founded Abaton Book Company, a publishing house and music label, in 1997 and have been running it together ever since. Dagley is currently studying music theory at Juilliard and classical guitar privately. The musical patterns he’s been immersed in are echoed in his recent paintings. 

Neo-Op is Dagley’s first solo show with David Richard Gallery. 

About Mark Dagley:

Mark Dagley (b. 1957, Washington D.C.) is a visual artist who studied painting and sculpture at the Corcoran School of Art, and painting, video and electronic music at the School of the Museum of Fine Arts. 

Dagley has exhibited his work internationally for the past three decades, including in North America, Europe, and Australasia. During the 1980s, he was active in the East Village abstract painting scene and showed alongside other pioneering abstract painters, including Barry X Ball, Max Gimblett, Olivier Mosset, James Nares, Stephen Parrino, Li Trincere, and Alan Uglow, among many others. His first solo exhibition took place in 1987, at the Tony Shafrazi Gallery, New York City.

In 1993 Dagley had his first Museum exhibition at the Kunstverein St. Gallen, Switzerland. In the same year, he received his first major commission from Hoffman/LaRoche Pharmaceuticals: two wall reliefs, nine-foot square, which were installed in their new office building outside of Basel. 

During his career, Dagley has worked with a number of influential galleries worldwide, including Tony Shafrazi Gallery (NYC), Galerie Hans Strelow (Dusseldorf, Germany), Galeria Mar Estrada (Madrid, Spain), and Galerie Swart (Amsterdam, The Netherlands). More recently he has exhibited his work at Anna Kustera Gallery (NYC), The Shore Institute of the Contemporary Arts (Long Branch, NJ), The Suburban (Chicago, IL), Daniel Weinberg Gallery (Los Angeles, CA), Instituto de Artes Graficas (Oaxaca, Mexico), ParisCONCRET (Paris, France), Galeria Leyendecker (Santa Cruz de Tenerife, Spain), and Musee des beaux-arts de La Chaux-de-Fonds (La Chaux-de-Fonds, Switzerland).

His work can be found in the collections of the Cafritz Foundation, Collection Doberman, Oppenheim & Co, R.H. Peterson, University of Michigan Museum of Art, the Museo Nacional Centro de Arte Reina Sofia, Kunstmuseum St. Gallen, the Musée des Beaux Arts La Chaud de Fonds, Credit-Suisse, Hoffman/LaRoche, Henkel GmbH, EMI Madrid, Bloomingdales Corporation, Museo de Arte Contemporaneo de Buenos Aires and Muzeum um?ní Olomouc, Czech Republic. 

His most recent exhibitions were at, Spencer Brownstone Gallery (2017), MACBA (2015), Galerie Caesar (2015), The Museum of Geometric & Madi Art (2013), Kent Place Gallery (2012), and Minus Space (2012). 

About David Richard Gallery:

Since its inception in 2010, David Richard Gallery has produced museum quality exhibitions that feature Post War abstraction in the US. The presentations have addressed specific decades and geographies as well as certain movements and tendencies. While the gallery has long been recognized as an important proponent of post-1960s abstraction—including both the influential pioneers as well as a younger generation of practitioners in this field— in keeping with this spirit of nurture and development the gallery also presents established artists who embrace more gestural and representational approaches to the making of art as well as young emerging artists.

In 2015 David Richard Gallery launched DR Art Projects to provide a platform for artists of all stripes—international, national, local, emerging and established—to present special solo projects or to participate in unique collaborations or thematic exhibitions. The goal is to offer a fresh look at contemporary art practice from a broad spectrum of artists and presentations. The Gallery opened its current location in New York in 2017. 

Associated Artist

Associated Exhibitions

Associated News

  • May 16, 2019

  • March 28, 2019

  • March 1, 2019

  • February 14, 2019

  • February 26, 2019

  • March 1, 2019

  • March 4, 2019

  • March 11, 2019

News Archive


March 27, 2019
March 16, 2019
January 17, 2017
Globalocation: Celebrating 20 Years of Artnauts
J. Willard Marriott Library
The University of Utah, 01/17/2017

The University of Utah’s J. Willard Marriott Library will host the art exhibition Globalocation: Celebrating 20 Years of Artnauts, Jan. 20-March 3.

Artnauts, an art collective formed 20 years ago by George Rivera, professor of art and art history at the University of Colorado, Boulder, consists of 300 global artists who serve as goodwill ambassadors, acknowledging and supporting victims of oppression worldwide. Their creativity has generated over 230 exhibitions across five continents. Five faculty members from the U’s Department of Art and Art History are members of the collective, Sandy Brunvand, Beth Krensky, V. Kim Martinez, Brian Snapp and Xi Zhang.

Globalocation derives from “Globalocational Art” — a concept used by the Artnauts to refer to their exhibitions in international venues. It is the mission of the Artnauts to take art to places of contention, and this anniversary exhibition is a sample of places where they have been and themes they have addressed.

“The Artnauts could not exist without the commitment of the artists in the collective to a common vision of the transformative power of art,” said Rivera. “The Artnauts make their contribution with art that hopefully generates a dialogue with an international community on subjects that are sometimes difficult to raise.”

Krensky, associate department chair of the Art and Art History Department, had the opportunity to travel with Rivera in Chile as part of an Artnauts project, working with mothers who were searching for their children who had mysteriously disappeared during a time of political unrest.

“When I travelled to Chile in 1998, George and I spent an afternoon with the Mothers of the Disappeared, and the meeting changed my life,” said Krensky. “It was from that moment on that I placed a picture of them on my desk to look at every day. I was so moved by what they each had lost — a son, a brother, a father — and yet what remained for them was a deep, deep well of love. They were fierce warriors and stood up to the government to demand the whereabouts and information of the people who had disappeared, but they lived within profound love.”

The 20th anniversary exhibition at the Marriott Library is a retrospective of the traveling works the Artnauts have toured around the globe. The exhibition will be located on level three of the library. The opening reception is open to the public and will be held on Friday, Jan 20, 4-6 p.m. Rivera will speak at 4 p.m.

February 15, 2014
January 31, 2014
September 12, 2013
December 18, 2012
September 26, 2012
May 31, 2012
September 21, 2011