May 13, 2018
Michael Hedges 'In Bloom'
International Art Exhibitions, 05/13/2018


Michael Hedges 'In Bloom'
International Art Exhibitions, 05/13/2018

Michael Hedges’ expressionist paintings are as much about energy as they are about colour and texture. The energy, both in his physical approach to applying paint to the support as well as the colour harmonies across the compositions, activates the surface and the viewer’s experience. Hedges’ passionately embraces Abstract Expressionism with his own color-based approach to expressionist and gestural abstract painting. According to the artist, his works, ‘begin as a problem of two or more colour relationships to be explored through form’. He then pursues multiple parallel paths to resolve the ‘problem’ on many separate canvases. An example of Michael Hedges’ high energy and process- driven approach to create dynamic surfaces and colour combinations.

This presentation includes recent paintings from 2016 and 2017. Roughly half are painted on natural linen in which Hedges’ approach is a little different than on canvas, revealing the linen support and numerous areas where the pigment is applied in thin brushy strokes to expose the weave and texture. There are still robust areas of saturated pigment applied in his usual thick and impasto strokes.

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January 17, 2017
Globalocation: Celebrating 20 Years of Artnauts
J. Willard Marriott Library
The University of Utah, 01/17/2017

The University of Utah’s J. Willard Marriott Library will host the art exhibition Globalocation: Celebrating 20 Years of Artnauts, Jan. 20-March 3.

Artnauts, an art collective formed 20 years ago by George Rivera, professor of art and art history at the University of Colorado, Boulder, consists of 300 global artists who serve as goodwill ambassadors, acknowledging and supporting victims of oppression worldwide. Their creativity has generated over 230 exhibitions across five continents. Five faculty members from the U’s Department of Art and Art History are members of the collective, Sandy Brunvand, Beth Krensky, V. Kim Martinez, Brian Snapp and Xi Zhang.

Globalocation derives from “Globalocational Art” — a concept used by the Artnauts to refer to their exhibitions in international venues. It is the mission of the Artnauts to take art to places of contention, and this anniversary exhibition is a sample of places where they have been and themes they have addressed.

“The Artnauts could not exist without the commitment of the artists in the collective to a common vision of the transformative power of art,” said Rivera. “The Artnauts make their contribution with art that hopefully generates a dialogue with an international community on subjects that are sometimes difficult to raise.”

Krensky, associate department chair of the Art and Art History Department, had the opportunity to travel with Rivera in Chile as part of an Artnauts project, working with mothers who were searching for their children who had mysteriously disappeared during a time of political unrest.

“When I travelled to Chile in 1998, George and I spent an afternoon with the Mothers of the Disappeared, and the meeting changed my life,” said Krensky. “It was from that moment on that I placed a picture of them on my desk to look at every day. I was so moved by what they each had lost — a son, a brother, a father — and yet what remained for them was a deep, deep well of love. They were fierce warriors and stood up to the government to demand the whereabouts and information of the people who had disappeared, but they lived within profound love.”

The 20th anniversary exhibition at the Marriott Library is a retrospective of the traveling works the Artnauts have toured around the globe. The exhibition will be located on level three of the library. The opening reception is open to the public and will be held on Friday, Jan 20, 4-6 p.m. Rivera will speak at 4 p.m.

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