Mario Yrisarry

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Mario  Yrisarry Mario Yrisarry Bilight Acrylic on canvas 1964 69 x 89 at David Richard Gallery

Bilight
- Acrylic on canvas , 1964
69 x 89 in
CALL FOR PRICE

Mario Yrisarry sprayed and stenciled his canvases with acrylic paint or drew right on the support with Prismacolor, exploring non-traditional, non-brush methods of applying pigment during the 1960s and 70s in New York. Inspired by jazz music, his linear applications of paint with combinations of hard and soft edges within the same composition created lyrical abstractions while his canvas-filling patterns produced a rhythm and beat. Yrisarry exhibited regularly with Graham Gallery and O.K. Harris Works of Art as well as at the Park Place Gallery in New York. His work was included in many important exhibitions: Painting Without A Brush, Institute of Contemporary Art, Boston, 1965; Whitney Biennial, New York, 1970; Painting and Sculpture Today, Indianapolis Museum of Art,1970; Using Walls, Jewish Museum, 1970; Spray, Santa Barbara Museum of Art, 1971; The Structure of Color, Whitney Museum, NY, 1971; Grids, Institute of Contemporary Art, Philadelphia, 1972. His artwork is in many private and public collections, including: Joseph Hirshhorn Collection, Washington, DC; Whitney Museum of American Art, NY; Baltimore Museum of Art, Maryland; Indianapolis Museum of Art, Indiana; Larry Aldrich Museum, Ridgefield, Connecticut; Museum of Art, Carnegie Institute, Pittsburgh; among others. Yrisarry was born in Manila, Philippines and studied at Queens College and Cooper Union in New York. He stopped painting and exhibiting in 1977. David Richard Gallery is now exhibiting and representing Yrisarry and his important artworks.

PRESS

Stenciled and sprayed paintings by Mario Yrisarry on view at David Richard Gallery
Monday, August 7, 2017
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EXHIBITIONS

Systemic Pattern Painting: Artists of The Criss-Cross Cooperative featuring Charles DiJulio, Dean Fleming, Richard Kallweit, Gloria Klein, Marilyn Nelson, Clark Richert, Dee Shapiro, Robert Swain, George Woodman, Mario Yrisarry
Sunday, September 9, 2018 - Saturday, October 13, 2018
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Gloria Klein, Dee Shapiro and Mario Yrisarry and will be moderated by Anne Swartz, Professor of Art History, Savannah College of Art and Design
Saturday, September 22, 2018 - Saturday, September 22, 2018
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MARIO YRISARRY
Friday, August 4, 2017 - Saturday, September 2, 2017
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Mario  Yrisarry Mario Yrisarry Bilight Acrylic on canvas 1964 69 x 89 at David Richard Gallery Bilight
Acrylic on canvas   1964
69 x 89 in
Call For Price
YRIM8274
Mario  Yrisarry Mario Yrisarry 100 Apaches Acrylic on canvas 1964 96 x 96 at David Richard Gallery 100 Apaches
Acrylic on canvas   1964
96 x 96 in
Call For Price
YRIM8653
Mario  Yrisarry Mario Yrisarry Omega Acrylic on canvas 1964 73 1_2 x 68 at David Richard Gallery Omega
Acrylic on canvas   1964
73 1/2 x 68 in
Call For Price
YRIM8481
Mario  Yrisarry Basic Details 
Mario Yrisarry Rivets Acrylic on canvas 1966 69 x 83 at David Richard Gallery Rivets
Acrylic on canvas   1966
69 x 83 in
Call For Price
Framed
YRIM8288
Mario  Yrisarry Mario Yrisarry Survivor Acrylic on canvas 1967 48 x 82 at David Richard Gallery Survivor
Acrylic on canvas   1967
48 x 82 in
Call For Price
YRIM8482
Mario  Yrisarry Mario Yrisarry Untitled Acrylic on canvas 1970 66 x 66 at David Richard Gallery Untitled
Acrylic on canvas   1970
66 x 66 in
Call For Price
YRIM8480
Mario  Yrisarry Mario Yrisarry Untitled Lithograph 1967 16_20 29 x 23.25 at David Richard Gallery Untitled
Lithograph   1967
16/20
29 x 23.25 in

YRIM8306
Mario  Yrisarry Mario Yrisarry Viva Vida Acrylic on linen 1972 72 x 72 at David Richard Gallery Viva Vida
Acrylic on linen   1972
72 x 72 in
Call For Price
YRIM8478

3, 6, 12, 24, 48, 120, Works per page

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Mario  Yrisarry

Mario Yrisarry

Mario Yrisarry Biography

Born in 1933 and lives in New York / Philippines, is known for abstract expression.

Mario Yrisarry Description

Mario Yrisarry sprayed and stenciled his canvases with acrylic paint or drew right on the support with Prismacolor, exploring non-traditional, non-brush methods of applying pigment during the 1960s and 70s in New York. Inspired by jazz music, his linear applications of paint with combinations of hard and soft edges within the same composition created lyrical abstractions while his canvas-filling patterns produced a rhythm and beat. Yrisarry exhibited regularly with Graham Gallery and O.K. Harris Works of Art as well as at the Park Place Gallery in New York. His work was included in many important exhibitions: Painting Without A Brush, Institute of Contemporary Art, Boston, 1965; Whitney Biennial, New York, 1970; Painting and Sculpture Today, Indianapolis Museum of Art,1970; Using Walls, Jewish Museum, 1970; Spray, Santa Barbara Museum of Art, 1971; The Structure of Color, Whitney Museum, NY, 1971; Grids, Institute of Contemporary Art, Philadelphia, 1972. His artwork is in many private and public collections, including: Joseph Hirshhorn Collection, Washington, DC; Whitney Museum of American Art, NY; Baltimore Museum of Art, Maryland; Indianapolis Museum of Art, Indiana; Larry Aldrich Museum, Ridgefield, Connecticut; Museum of Art, Carnegie Institute, Pittsburgh; among others. Yrisarry was born in Manila, Philippines and studied at Queens College and Cooper Union in New York. He stopped painting and exhibiting in 1977. David Richard Gallery is now exhibiting and representing Yrisarry and his important artworks.

Mario Yrisarry Resumé

 

CURRENT EXHIBITION

2015        Op Infinitum: “The Responsive Eye” Fifty Years After, Part I, Part II, American Op Art in the 60’s, David Richard Gallery, Santa Fe, NM

 

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