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Artists

Alexander, Steven

Almy & Teri Yarbrow, Max

Anuszkiewicz, Richard

Baldwin & Guggisberg

Bengston, Billy Al

Botts, Gregory

Cahill, Lisa

Chicago, Judy

Davis, Jay

De Santillana, Laura

Demos, Peter

Dwyer, Nancy

Eversley, Fred

Evertz, Gabriele

Fenichel, Lilly

Fishman, Beverly

Fitzgerald, Margaret

Goldberg, Carol Brown

Graham, Gloria

Haessle, Jean-Marie

Holland, Tom

Ideal, Phillis

Kluber, Matthew

Larsen, Ted

Levenson, Silvia

Martinelli, Tom

Newmann, Eugene

Penkala, Matthew

Reed, Paul

Roth, Richard

Rubenstein, Meridel

Scott, Michael

Shimomoto, Harue

Stanczak, Julian

Swain, Robert

Tadasky

Wurmfeld, Sanford

Zajac, Jack

Zammitt, Eric

Zynsky, Toots

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Lilly Fenichel

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Exhibits     Press     CV/Docs     All Lilly Fenichel    
Featured Piece
Lilly  Fenichel Dapple Untitled 1

Dapple Untitled 1
- Acrylic on canvas backed paper , 1977
53.75 x 79 in

Lilly  Fenichel Dapple Untitled 1 formatting

Dapple Untitled 1
Acrylic on canvas backed paper   1977
53.75 x 79 in

FENL7476
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Lilly  Fenichel You_re Getting To Be A Habit With Me formatting

You're Getting To Be A Habit With Me
Acrylic on raw canvas   2003
50 x 44 in

FENL7507
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Lilly  Fenichel All Blues formatting

All Blues
Acrylic on canvas   1991
51 x 59 in

FENL7583
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Lilly  Fenichel B W Geometric Study D formatting

B W Geometric Study D
Acrylic ink on gessoed panel   1967
30 x 40 in

FENL7465
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Lilly  Fenichel Bangal formatting

Bangal
Oil on polyproplyene   2010
39 x 37 in
Call For Price
FENL4478
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Lilly  Fenichel Black Study 2 formatting

Black Study 2
Ink on board   1966
15 x 20 in

FENL7462
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Lilly  Fenichel Black Study 6 formatting

Black Study 6
Ink on board   1966
15 x 20 in

FENL7463
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Lilly  Fenichel Black Study 9 formatting

Black Study 9
Ink on board   1966
15 x 20 in

FENL7464
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Lilly  Fenichel Blue Lumen formatting

Blue Lumen
Oil on polyproplyene   2010
37 x 39 x 2 1/2 in
Call For Price
FENL4477
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Lilly  Fenichel Cadence formatting

Cadence
Oil on canvas   2001
50 x 44 in

FENL7466
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Lilly  Fenichel formatting

Caprice
Oil on canvas   2001
44 x 38 in

FENL7586
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Lilly  Fenichel Civil War formatting

Civil War
Acrylic on canvas   1968
73 x 61.25 in

FENL7468
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Lilly  Fenichel Cock Tales formatting

Cock Tales
Ink on paper   1977
15 x 43 in

FENL7469
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Lilly  Fenichel formatting

Cock Tales Study 21
Ink on paper   1976
13.75 x 17 in

FENL7470
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Lilly  Fenichel formatting

Cock Tales Study 23
Ink on paper   1976
14 x 18 in

FENL7471
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Lilly  Fenichel formatting

Cock Tales Study 29
Ink on paper   1976
14 x 18 in

FENL7472
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Lilly  Fenichel formatting

Cock Tales Study 35
Ink on paper   1976
14 x 18 in

FENL7473
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Lilly  Fenichel Cock Tales Study 41 formatting

Cock Tales Study 41
Ink on paper   1976
14 x 18 in

FENL7459
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Lilly  Fenichel formatting

Cock Tales Study 43
Ink on paper   1976
14 x 18 in

FENL7474
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Lilly  Fenichel formatting

Cock Tales Study 48
Ink on paper   1976
14 x 18 in

FENL7562
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Lilly  Fenichel formatting

Cock Tales Study 5
Ink on paper   1976
12 x 19 in

FENL7570
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Lilly  Fenichel formatting

Cock Tales Study 7
Ink on paper   1976
12 x 19 in

FENL7561
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Lilly  Fenichel formatting

Color Geometric Study E
Acrylic ink on gessoed panel   1967
30 x 40 in

FENL7475
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Lilly  Fenichel Dapple _5 formatting

Dapple #5
Acrylic on paper   1977
35 x 46 in

FENL7567
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 NEXT >

3, 6, 12, 24, 48, 120, Works per page

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Lilly  Fenichel

Lilly Fenichel

Lilly Fenichel Description

The newest series of pure abstract paintings by Liily Fenichel features a reductive palette of predominantly black paint on a white support with a rare stroke or two of subtle color—a bit of amber, purple, dilute red or neutralized green. The compositions are asymmetric with the black emerging from a corner or one side or the other like a wave of black pigment onto the scene, forever disrupting the serenity of the pure white support. Yet, the reductive compositions are calm and provide solitude as the viewer studies the work and makes a personal interpretation. This work is more gestural and less graphic than her earlier series with the same materials, the edges are broken and diffuse with the black pigment fading to white, conveying movement and rhythm.

Lilly Fenichel completed her undergraduate work at Chouinard Art Institute in Los Angeles and later studied with Hassel Smith at the California School of Fine Art—currently the San Francisco Art Institute. She then worked in Los Angeles before moving to New Mexico to join the group of Taos Moderns, which included her close friends Beatrice Mandelman, Oli Sihvonen and Agnes Martin. Fenichel has had numerous solo and group exhibitions during her six decade career. A recipient of three International Pollock-Krasner Grants and numerous other awards, her artwork is in the permanent collections of the Harwood Museum, Albuquerque Museum and U. of New Mexico Art Museum along with numerous private and public collections.

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David Richard Gallery, LLC | 544 South Guadalupe Street, Santa Fe, NM 87501 | p (505) 983-9555 | f (505) 983-1284


10:00 a.m. - 5:00 p.m. Monday - Saturday and Noon - 5:00 Sunday or by appointment


David Richard Gallery the premier contemporary art gallery in the Santa Fe New Mexico Railyard Arts District specializes in Post-War American abstract art including Abstract Expressionism, Color Field, geometric, Op, Pop and Minimalism in a variety of media.

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